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Milligan and Murphy – a review

Perhaps this is as good a place as any, as our heroes wend their way towards the future, to describe in some small detail the countryside through which they trudged. If I were to provide you with a...

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Thursday Thoughts: 2

“How do we say No? In the fullness of time, how can we say No?” and “To create is to resist, to resist is to create.” John Berger, from his article The Need to Learn, in Brick 88 . * Whenever I find...

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Worth the Wait? Godot in Leeds.

  POZZO: (suddenly furious.) Have you not done tormenting me with your accursed time! It’s abominable! When! When! One day, is that not enough for you, one day he went dumb, one day I went blind, one...

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You Can Jump by Mat Coward – a review

. . .The only contact he had with people was when he shoved their heads down toilet bowls, and he couldn’t do that to the teachers. As an adult, looking back, I understand that the reason everyone was...

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Ancient Lights – Selected Poems by Dick Jones

Neither love nor freedom can survive the fire from what we might become. Several of these poems seem to take place at the junction between two hemispheres. The poet finds himself in the cold...

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Thornton Wilder – Being Alone

The Stage Manager delivers an opening monologue in which he explains, matter-of-factly, that “the dead don’t stay interested in us living people for very long. … They get weaned away from the...

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Making Sense – A review of Jim Murdoch’s Short Story Collection

The first time I saw her if you’d said to me within six weeks she would’ve given up her forty-year-old virginity to me across her creaky kitchen table one rainy Saturday afternoon – accompanied by a...

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Happy Days

We were at the Young Vic yesterday to see Juliet Stevenson as Winnie in Samuel Beckett’s Happy Days. Buried up to her middle in act one, and up to her neck in act two, Winnie is involved in a...

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